PEER-REVIEWED JOURNAL ARTICLES

2018. “Composing Authority in Six Forged ‘Haydn’ Sonatas.” Journal of Musicology 35/1 (2018): 104–43.

DIGITAL & MULTIMEDIA

2017. “Music and Truth.” Harvard Horizons (2017).

2015. “Why You Really Can Forge A Musical Work.” Musicology Now (2015).

2014. “Hugo Wolf’s Harmony as Weitzmannian Critique: The Augmented Triad and its Hexatonic Shadows.” Mosaic: Journal of Music Research 3 (2014).

REVIEWS & REPORTS

2012. “Hearing Landscape Critically: Sense, Text, Ideology.” Newsletter of the Royal Musical Association 16/2 (2012).

DOCTORAL DISSERTATION

2018. “Ringing False: Music Analysis, Forgery, and the Technologies of Truth.” PhD diss., Harvard University, 2018.